Movie Name: Dhoom Dhaam
Release Date: November 8, 2024
Starring: Chetan Krishna, Hebah Patel, Sai Kumar, Vennela Kishore, Vinay Varma, Banerjee, and others
Director: Macha Saikishor
Producers: MS Ram Kumar
Music Director: Gopi Sundar
Cinematographer: Siddharth Ramaswamy
Editor: Amar Reddy Kudumula
Related Links: Trailer
Dhoom Dhaam, featuring Chetan Krishna and Hebah Patel, is a family entertainer that hit cinemas today. Let’s dive into the review to see how it performs.
Karthik (Chetan Krishna) shares a strong bond with his father (Sai Kumar), who is deeply invested in his son’s success. However, life takes an unexpected turn for Karthik when Suhana (Hebah Patel) enters the picture. The film delves into the complications that arise from the father-son bond and the unforeseen effects on Suhana and her family. Will Karthik and his father overcome these hurdles? What impact will their mistakes have? The answers unfold on the big screen.
The movie offers some enjoyable moments, with comedic, romantic, and emotional sequences built around the father-son relationship. Chetan Krishna delivers a solid performance with engaging body language, while Sai Kumar’s portrayal as a caring father is heartfelt and convincing.
Hebah Patel adds a lively charm, and Goparaju Ramana shines as Suhana’s grandfather, bringing authenticity and humor. Vennela Kishore also makes a mark in the second half, adding a dash of humor that elevates the story. The scenes involving Vennela Kishore and the lead pair bring some much-needed laughs, and the supporting cast, including Sivannarayana, Banerjee, and Praveen, contribute well. Key moments, including the wedding scenes and family interactions, are enjoyable highlights.
Despite having a storyline with emotional depth, the screenplay by Gopi Mohan falls short in execution, especially in maintaining consistent engagement throughout. While the second half offers entertainment, the first half feels slow, which disrupts the pacing.
The conflicts between Karthik and Suhana’s families feel exaggerated and lack a fresh perspective, leading to a few dull moments. Some scenes lack logical cohesion, and the romance between the leads doesn’t feel entirely convincing. Although the second half introduces fun elements, the director fails to keep the narrative lively and engaging from start to finish.
On the technical side, Gopi Sundar’s music enhances the film, and Siddharth Ramaswamy’s cinematography captures the visuals well. Amar Reddy Kudumula’s editing is adequate, though a tighter cut could have helped the flow. The production values are commendable, showcasing the efforts of producer MS Ram Kumar. While Sai Kishor Macha’s direction shows promise, a more engaging script would have been beneficial.
Overall, Dhoom Dhaam offers a few laughs and emotional moments, especially in the second half and wedding scenes. However, an inconsistent screenplay and underdeveloped characters make it an average entertainer. It may appeal to those looking for light-hearted family moments but falls short of being a memorable watch.
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