After a long wait of 12 years, Vishal’s Madha Gaja Raja finally saw its release in Tamil during Pongal, where it turned out to be a hit. Now, the Telugu-dubbed version has hit the screens. Let’s dive into the review to see how it fares.
Story:
Madha Gaja Raja (Vishal) is a carefree young man who falls for Madhavi (Anjali). However, their love story is short-lived. During a wedding, Raja reconnects with his childhood friends and learns they are entangled in serious troubles. Upon digging deeper, he realizes that the root of their problems is businessman Kakarla Vishwanath (Sonu Sood). Determined to help, Raja takes matters into his own hands. How does he tackle Vishwanath? What happens to his love story? Does he succeed in overcoming the odds? Watch the film to find out.
Positives:
- Vishal delivers a decent performance, making his character engaging enough.
- Anjali and Varalaxmi Sarathkumar bring glamour to the screen.
- Santhanam’s comic timing offers some laughs, with a few witty one-liners standing out.
- The supporting cast does a passable job.
Negatives:
- The film’s storyline is predictable and lacks freshness.
- The slow-paced narration makes it feel dull.
- Since it was made over a decade ago, the plot feels outdated. A timely release might have worked in its favor.
- Some of Santhanam’s comedic sequences feel forced and ineffective.
- The emotional depth in the friendship angle is underwhelming.
- Sonu Sood’s villainous role is one-dimensional, lacking novelty.
- The conflict between the hero and villain lacks intensity.
- Anjali and Varalaxmi’s characters are underdeveloped, adding little to the story.
Technical Aspects:
On the technical front, the movie falls short. The editing is subpar, and the cinematography fails to make an impact. Vijay Antony’s music is average, with no standout tracks. The production values are mediocre, and Sundar C’s writing and direction are just passable. Additionally, the Telugu dubbing doesn’t enhance the film’s appeal.
Verdict:
Overall, Madha Gaja Raja is an outdated action-comedy that relies on Vishal’s performance and Santhanam’s humor as its only saving graces. With a weak screenplay, slow pacing, and unimpressive technical aspects, the film lacks the engagement needed for an entertaining watch. If you enjoy lighthearted comedy without expecting a strong storyline, you can give it a shot—but with lowered expectations.